{"id":31227,"date":"2024-06-06T15:46:13","date_gmt":"2024-06-06T12:46:13","guid":{"rendered":"https:\/\/belcentre.by\/?page_id=31227"},"modified":"2026-04-10T13:03:14","modified_gmt":"2026-04-10T10:03:14","slug":"%d0%b4%d1%83%d0%ba%d1%82%d0%be%d0%b2%d0%b0-%d0%bb%d1%8e%d0%b1%d0%be%d0%b2%d1%8c-%d0%b3%d0%b5%d0%be%d1%80%d0%b3%d0%b8%d0%b5%d0%b2%d0%bd%d0%b0","status":"publish","type":"page","link":"https:\/\/belcentre.by\/en\/%d1%85%d1%85_%d1%85%d1%85%d1%96\/%d0%b4%d1%83%d0%ba%d1%82%d0%be%d0%b2%d0%b0-%d0%bb%d1%8e%d0%b1%d0%be%d0%b2%d1%8c-%d0%b3%d0%b5%d0%be%d1%80%d0%b3%d0%b8%d0%b5%d0%b2%d0%bd%d0%b0\/","title":{"rendered":"Duktova Lyubov Georgievna"},"content":{"rendered":"
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Duktova Lyubov Georgievna<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Senior Researcher, Department of Belarusian Literature of the 20th and 21st Centuries
Institute of Literary Studies named after Yanka Kupala,
Candidate of Philological Sciences, Associate Professor
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Tel.: +(375) 17 270-28-76
\nEmail: duktova.liubou7@gmail.com<\/a>
ORCID 0009\u20130003\u20135401\u20137932<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Born in 1976 in the village of Kolos, Bykhovsky district, Mogilev region. Graduated from Mogilev State University named after A. A. Kuleshov (1998), Belarusian State University (2015).<\/p>

She graduated from graduate school at Moscow State University named after A. A. Kuleshov (2003), doctoral studies at the Yanka Kupala Institute of Literary Studies branch of the Center for Research of Belarusian Culture, Language and Literature of the National Academy of Sciences of Belarus (2023).<\/p>

In October 2005, she defended her PhD thesis on the topic \u201cMastatskaya animalistics and Belarusian literature of another era of the twentieth century\u201d (supervisor \u2013 Doctor of Philological Sciences, Professor Belsky A.I.).<\/p>

In 1998\u20132000 \u2013 teacher of the Belarusian language and literature, secondary school No. 17, secondary school No. 4, Mogilev. In 2000\u20132015 \u2013 senior lecturer, associate professor of the department of Belarusian literature, associate professor, head of the department of journalism at Moscow State University named after A. A. Kuleshov.<\/p>

In 2016\u20132017 \u2013 head of the literary and dramatic part of the Mogilev Regional Puppet Theater. In 2017\u20132018 \u2013 Vice-Rector for Academic Affairs of the Institute for Advanced Studies and Retraining of Personnel of the State Committee for Forensic Expertise of the Republic of Belarus.<\/p>

2019\u20132023 \u2013 Senior Researcher of the Department of Socio-Economic Analysis, Head of the Department of Special Search and Analytical Research of the Economic Research Institute of the Ministry of Economy of the Republic of Belarus.<\/p>

Since 2023 \u2013 senior researcher at the department of Belarusian literature of the 20th and 21st centuries. branch \u201cInstitute of Literary Studies named after Yanka Kupala\u201d of the Center for Research of Belarusian Culture, Language and Literature of the National Academy of Sciences of Belarus (2023).<\/p>

Leader and executor of the task \u201cArchetypes and topases of the daily literature of Belarus\u201d of the grant of the Belarusian Republican Foundation for Basic Research (Nauka-M) (2003\u20132005, no.\u00a020032433<\/span>), performer of the task \u201cMentality and cultural backgrounds of Belarus in the work of Yakub Kolas\u201d of the state program of fundamental research (\u201cBelarusian language and literature\u201d) (2006\u20132010, no.\u00a020065193<\/span>), assignment \u201cBelarusian literary literature: historical and theoretical aspects of its learning and presentation\u201d of the state scientific research program \u201cHistory, culture, citizenship, dzyarzhava\u201d (2011\u20132013, no.\u00a020112344<\/span>), performer on the topic \u201cBelarusian literature of the 20th\u201321st centuries. in the system of national culture: diversity of scientific research and prospects for the development of the world's information science" (No.\u00a020211282<\/span>\u00a0dated 14.05.2021) task 6.2.10 \u201cMastery literature of the Belarusian people during the New Year\u201d of the subprogram \u201cBelarusian language and literature\u201d of the state scientific research program for 2021\u20132025. \u201cCity and humanitarian relief of the Belarusian Dziarzhava\u201d and others.<\/p>

Sphere of scientific interests<\/strong> \u2013 Belarusian literature of the 20th and 21st centuries, cultural codes in fiction, marketing communications.<\/p>

Monographs<\/strong><\/p>

  1. \u0414\u0443\u043a\u0442\u0430\u0432\u0430, \u041b. \u0413. \u041c\u0430\u0441\u0442\u0430\u0446\u043a\u0430\u044f \u0430\u043d\u0456\u043c\u0430\u043b\u0456\u0441\u0442\u044b\u043a\u0430 \u045e \u0431\u0435\u043b\u0430\u0440\u0443\u0441\u043a\u0430\u0439 \u043b\u0456\u0442\u0430\u0440\u0430\u0442\u0443\u0440\u044b \u0456\u043d\u0448\u0430\u0439 \u043f\u0430\u043b\u043e\u0432\u044b \u0425\u0425 \u0441\u0442\u0430\u0433\u043e\u0434\u0434\u0437\u044f \/ \u041b. \u0413. \u0414\u0443\u043a\u0442\u0430\u0432\u0430. \u2013 \u041c\u0430\u0433\u0456\u043b\u0451\u045e: \u041c\u0414\u0423 \u0456\u043c\u044f \u0410. \u0410. \u041a\u0443\u043b\u044f\u0448\u043e\u0432\u0430, 2009. \u2013 184 \u0441.<\/li>
  2. \u0414\u0443\u043a\u0442\u0430\u0432\u0430, \u041b.\u0413. \u041d\u0430\u0446\u044b\u044f\u043d\u0430\u043b\u044c\u043d\u044b\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u044b\u044f \u043a\u043e\u0434\u044b \u045e \u0431\u0435\u043b\u0430\u0440\u0443\u0441\u043a\u0456\u043c \u044d\u043f\u0430\u0441\u0435 \u043c\u044f\u0436\u044b \u0425\u0425\u2013\u0425\u0425\u0406\u0441\u0442\u0441\u0442.\u00a0\/ \u041b.\u0413.\u00a0\u0414\u0443\u043a\u0442\u0430\u0432\u0430. \u2013 \u041c\u043d.\u00a0: \u0411\u0435\u043b. \u043d\u0430\u0432\u0443\u043a\u0430, 2026. \u2013 335\u00a0\u0441.<\/li><\/ol>

    Afterword<\/strong>\u00a0<\/strong><\/p>

    1. \u201c\u0416\u044b\u0446\u0446\u0451 \u043d\u0430\u0432\u043e\u043a\u0430\u043b \u0442\u0430\u043a\u043e\u0435 \u0432\u0456\u0445\u0443\u0440\u043d\u0430\u0435\u2026\u201d \/\/ \u0428\u0430\u043c\u044f\u043a\u0456\u043d \u0406.\u041f. \u0417\u0431\u043e\u0440 \u0442\u0432\u043e\u0440\u0430\u045e. \u0423 23 \u0442. \u0422. 7. \u0410\u043f\u043e\u0432\u0435\u0441\u0446\u0456, 1996-1998. \u041c\u0456\u043d\u0441\u043a. 2011. \u0421.421-454.<\/li><\/ol>

      Section in the textbook<\/strong><\/p>

      1. Vasil Zuyonak \/\/ Belarusian literary literature. Minsk: Higher School, 2008. pp. 606\u2013627.<\/li><\/ol>

        Articles<\/strong> \u0432 \u0440\u0435\u0446\u0435\u043d\u0437\u0438\u0440\u0443\u0435\u043c\u044b\u0445 \u0438\u0437\u0434\u0430\u043d\u0438\u044f\u0445 \u0438\u0437 \u0441\u043f\u0438\u0441\u043a\u0430 \u0412\u0410\u041a<\/strong><\/p>

        1. \u0414\u0443\u043a\u0442\u0430\u0432\u0430, \u041b.\u0413. \u041a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u044b\u044f \u043a\u043e\u0434\u044b \u045e \u043c\u0430\u0441\u0442\u0430\u0446\u043a\u0456\u043c \u0442\u0432\u043e\u0440\u044b: \u0430\u0441\u043d\u043e\u045e\u043d\u044b\u044f \u043f\u0430\u0434\u044b\u0445\u043e\u0434\u044b \u0434\u0430 \u043a\u043b\u0430\u0441\u0456\u0444\u0456\u043a\u0430\u0446\u044b\u0456 \/ \u041b.\u0413. \u0414\u0443\u043a\u0442\u0430\u0432\u0430 \/\/ \u0412\u0435\u0441\u0446\u0456 \u041d\u0430\u0446\u044b\u044f\u043d\u0430\u043b\u044c\u043d\u0430\u0439 \u0430\u043a\u0430\u0434\u044d\u043c\u0456\u0456 \u043d\u0430\u0432\u0443\u043a \u0411\u0435\u043b\u0430\u0440\u0443\u0441\u0456. \u0421\u0435\u0440\u044b\u044f \u0433\u0443\u043c\u0430\u043d\u0456\u0442\u0430\u0440\u043d\u044b\u0445 \u043d\u0430\u0432\u0443\u043a. 2023. \u0422.68. \u2116 1. \u0421. 44\u201352.<\/li>
        2. Duktava, L.G. Masters of national cultural codes in the Belarusian Epas \/ L.G. Ductava \/\/ News of the National Academy of Sciences of Belarus. Grays of humanities. 2023. T. 68, no. 4. pp. 333\u2013340.<\/li>
        3. Duktava, L.G. Cultural code as padmurak and understanding of national images in jumping writing \/ L.G. Duktava \/\/ Native words. 2023. No. 8. pp. 33\u201337.<\/li>
        4. \u0414\u0443\u043a\u0442\u0430\u0432\u0430, \u041b.\u0413. \u0412\u044b\u043a\u0430\u0440\u044b\u0441\u0442\u0430\u043d\u043d\u0435 \u0430\u043d\u0456\u043c\u0430\u043b\u0456\u0441\u0442\u044b\u0447\u043d\u0430\u0433\u0430 \u043a\u043e\u0434\u0430 \u043f\u0440\u044b \u0430\u0434\u043b\u044e\u0441\u0442\u0440\u0430\u0432\u0430\u043d\u043d\u0456 \u0447\u0430\u0440\u043d\u043e\u0431\u044b\u043b\u044c\u0441\u043a\u0430\u0439 \u043a\u0430\u0442\u0430\u0441\u0442\u0440\u043e\u0444\u044b \u045e \u0431\u0435\u043b\u0430\u0440\u0443\u0441\u043a\u0456\u043c \u044d\u043f\u0430\u0441\u0435 \u0456 \u043b\u0456\u0440\u0430-\u044d\u043f\u0430\u0441\u0435 1990-\u0445 \u0433\u0430\u0434\u043e\u045e \/ \u041b.\u0413. \u0414\u0443\u043a\u0442\u0430\u0432\u0430 \/\/ \u041f\u043e\u043b\u044b\u043c\u044f. \u00a0 \u2116 9. \u0421. 107\u2013112.<\/li>
        5. Duktava, L.G. The animalistic code of the Belarusian master svyadomastsi \/ L.G. Ductava \/\/ Belarusian Duma. 2023. No. 8. pp. 97\u2013104.<\/li>
        6. Duktova, L.G. Appeal to the concept of \u201ccultural code\u201d in Russian-Belarusian humanitarian discourse \/ L.G. Duktova \/\/ Bulletin of Slavic cultures. 2023. T. 70. pp. 97\u2013108.<\/li>
        7. Duktava, L.G. The cultural code of the Belarusian Mastatskaya Svyadomastsi is amorphous \/ L.G. Duktava \/\/ Bulletin of Polotsk State University. Series A.2023. No. 3(68). pp. 90\u201395.<\/li>
        8. Duktava, L.G. Basic steps and reasonable understanding of the \u201ccultural code\u201d in literary and cultural science \/ L.G. Duktava \/\/ Bulletin of BarSU. Series: Pedagogical sciences. Psychological Sciences. Philological sciences (literary criticism). 2023. No. 2 (14). pp. 122\u2013128.<\/li>
        9. \u0414\u0443\u043a\u0442\u0430\u0432\u0430, \u041b.\u0413. \u0412\u044b\u043a\u0430\u0440\u044b\u0441\u0442\u0430\u043d\u043d\u0435 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u044b\u0445 \u043a\u043e\u0434\u0430\u045e \u043f\u0440\u044b \u0430\u0434\u043b\u044e\u0441\u0442\u0440\u0430\u0432\u0430\u043d\u043d\u0456 \u0440\u044d\u0447\u0430\u0456\u0441\u043d\u0430\u0441\u0446\u0456 \u045e \u0440\u0430\u043c\u0430\u043d\u0435 \u00ab\u0417\u0443\u0431\u0440\u044d\u0432\u0456\u0446\u043a\u0430\u044f \u0441\u0430\u0433\u0430\u00bb \u042f. \u0421\u0456\u043f\u0430\u043a\u043e\u0432\u0430 \/ \u041b.\u0413. \u0414\u0443\u043a\u0442\u0430\u0432\u0430 \/\/ \u0412\u0435\u0441\u0446\u0456 \u0411\u0414\u041f\u0423. 2023. \u2116 4 \u0421. 146\u2013149.<\/li>
        10. Duktova, L.G. Representation of cultural meanings when using national cultural codes in fiction \/ L.G. Duktova \/\/ Litera. 2023. No. 12. pp. 361\u2013371.<\/li>
        11. Duktava, L.G. Representation of national cultural codes in apovests I. Shamyakina 1990's \/ L.G. Duktova \/\/ News of Gomel State University named after F. Skaryna. Humanitarian sciences. 2024. No. 1. P. 58\u201362.<\/li>
        12. \u0414\u0443\u043a\u0442\u043e\u0432\u0430, \u041b.\u0413. \u0420\u0435\u0446\u0435\u043f\u0446\u0438\u044f \u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u044b\u0445 \u043a\u043e\u0434\u043e\u0432 \u0432 \u0438\u043d\u0434\u0438\u0432\u0438\u0434\u0443\u0430\u043b\u044c\u043d\u043e-\u0430\u0432\u0442\u043e\u0440\u0441\u043a\u043e\u0439 \u043f\u0430\u0440\u0430\u0434\u0438\u0433\u043c\u0435 (\u043d\u0430 \u043f\u0440\u0438\u043c\u0435\u0440\u0435 \u044d\u043f\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0439 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u044b\u0445 \u0431\u0435\u043b\u043e\u0440\u0443\u0441\u0441\u043a\u0438\u0445 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u0435\u0439 \/ \u041b.\u0413. \u0414\u0443\u043a\u0442\u043e\u0432\u0430 \/\/ \u0412\u0435\u0441\u0442\u043d\u0438\u043a \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0430 (\u0420\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u043e-\u0422\u0430\u0434\u0436\u0438\u043a\u0441\u043a\u0438\u0439 (\u0421\u043b\u0430\u0432\u044f\u043d\u0441\u043a\u0438\u0439) \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442). \u2013 2024. \u2013 \u2116 5. \u2013 \u0421. 101-115.<\/li>
        13. \u0414\u0443\u043a\u0442\u043e\u0432\u0430, \u041b.\u0413. \u041a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u044b\u0435 \u043a\u043e\u0434\u044b \u0432 \u044d\u043f\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u044f\u0445 \u0431\u0435\u043b\u043e\u0440\u0443\u0441\u0441\u043a\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \u0440\u0443\u0431\u0435\u0436\u0430 \u0425\u0425-\u0425\u0425I \u0432\u0435\u043a\u043e\u0432 \/ \u041b.\u0413. \u0414\u0443\u043a\u0442\u043e\u0432\u0430 \/\/ \u0424\u0438\u043b\u043e\u043b\u043e\u0433\u0438\u044f: \u043d\u0430\u0443\u0447\u043d\u044b\u0435 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u044f. 2024. \u21166. \u0421. 33-42.<\/li>
        14. \u0414\u0443\u043a\u0442\u0430\u0432\u0430, \u041b.\u0413. \u041d\u0430\u0446\u044b\u044f\u043d\u0430\u043b\u044c\u043d\u044b\u044f \u043a\u043e\u0434\u044b \u045e \u044d\u043f\u0456\u0447\u043d\u044b\u0445 \u0442\u0432\u043e\u0440\u0430\u0445 \u0431\u0435\u043b\u0430\u0440\u0443\u0441\u043a\u0430\u0439 \u043b\u0456\u0442\u0430\u0440\u0430\u0442\u0443\u0440\u044b \u043c\u044f\u0436\u044b \u0425\u0425\u2013\u0425\u0425\u0406 \u0441\u0442\u0441\u0442. \/ \u041b.\u0413. \u0414\u0443\u043a\u0442\u0430\u0432\u0430 \/\/ \u0414\u043e\u043a\u043b\u0430\u0434\u044b \u041d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0439 \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0438 \u043d\u0430\u0443\u043a \u0411\u0435\u043b\u0430\u0440\u0443\u0441\u0438. 2024. \u2116 421\u2013428.<\/li>
        15. \u0414\u0443\u043a\u0442\u0430\u0432\u0430, \u041b.\u0413. \u0410\u0441\u043d\u043e\u045e\u043d\u044b\u044f \u043f\u0430\u0434\u044b\u0445\u043e\u0434\u044b \u0434\u0430 \u0440\u0430\u0437\u0433\u043b\u044f\u0434\u0443 \u0431\u0456\u044f\u043c\u043e\u0440\u0444\u043d\u0430\u0433\u0430 \u043a\u043e\u0434\u0430 \u0456 \u044f\u0433\u043e \u043f\u0430\u0434\u043a\u043e\u0434\u0430\u045e \u0443 \u0433\u0443\u043c\u0430\u043d\u0456\u0442\u0430\u0440\u043d\u044b\u043c \u0434\u044b\u0441\u043a\u0443\u0440\u0441\u0435 \/ \u041b.\u0413. \u0414\u0443\u043a\u0442\u0430\u0432\u0430 \/\/ \u0422\u0440\u0443\u0434\u044b \u0411\u0413\u0422\u0423. \u0421\u0435\u0440\u0438\u044f 4. \u041f\u0440\u0438\u043d\u0442- \u0438 \u043c\u0434\u0438\u0430\u0442\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0438\u0438. 2024. \u21162. \u0421. 109\u2013115.<\/li>
        16. \u0414\u0443\u043a\u0442\u043e\u0432\u0430 \u041b.\u0413., \u0428\u0430\u0440\u0430\u043f\u043e\u0432\u0430 \u0415.\u0412. \u0421\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u044b\u0435 \u0442\u0435\u043d\u0434\u0435\u043d\u0446\u0438\u0438 \u0438 \u043d\u0430\u043f\u0440\u0430\u0432\u043b\u0435\u043d\u0438\u044f \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044f \u043d\u0430\u0443\u0447\u043d\u043e\u0439 \u043a\u043e\u043c\u043c\u0443\u043d\u0438\u043a\u0430\u0446\u0438\u0438 \/\/ \u0412\u0435\u0441\u0442\u043d\u0438\u043a \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0430 (\u0420\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u043e-\u0422\u0430\u0434\u0436\u0438\u043a\u0441\u043a\u0438\u0439 (\u0421\u043b\u0430\u0432\u044f\u043d\u0441\u043a\u0438\u0439) \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442). 2024. \u2116 5. \u0421. 169-188.<\/li>
        17. \u0414\u0443\u043a\u0442\u0430\u0432\u0430, \u041b.\u0413. \u041a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u044b\u044f \u043a\u043e\u0434\u044b \u045e \u043f\u0430\u043a\u0430\u0437\u0435 \u043d\u0430\u0446\u044b\u044f\u043d\u0430\u043b\u044c\u043d\u0430\u0439 \u0456\u0434\u044d\u043d\u0442\u044b\u0447\u043d\u0430\u0441\u0446\u0456 \u045e \u044d\u043f\u0430\u0441\u0435 \u0411\u0435\u043b\u0430\u0440\u0443\u0441\u0456 \u043c\u044f\u0436\u044b \u0425\u0425-\u0425\u0425\u0406 \u0441\u0442\u0441\u0442. \/ \u041b.\u0413. \u0414\u0443\u043a\u0442\u0430\u0432\u0430 \/\/ \u0412\u0435\u0441\u0442\u043d\u0438\u043a \u041f\u043e\u043b\u043e\u0446\u043a\u043e\u0433\u043e \u0433\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0430. \u0421\u0435\u0440\u0438\u044f \u0410. \u0413\u0443\u043c\u0430\u043d\u0438\u0442\u0430\u0440\u043d\u044b\u0435 \u043d\u0430\u0443\u043a\u0438. 2024. \u21163. \u0421.43\u201347.<\/li>
        18. \u0414\u0443\u043a\u0442\u0430\u0432\u0430, \u041b.\u0413. \u0412\u044b\u043a\u0430\u0440\u044b\u0441\u0442\u0430\u043d\u043d\u0435 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u044b\u0445 \u043a\u043e\u0434\u0430\u045e \u043f\u0440\u044b \u0430\u0434\u043b\u044e\u0441\u0442\u0440\u0430\u0432\u0430\u043d\u043d\u0456 \u0440\u044d\u0447\u0430\u0456\u0441\u043d\u0430\u0441\u0446\u0456 \u045e \u0440\u0430\u043c\u0430\u043d\u0435 \u00ab\u041f\u0440\u0430\u045e\u0434\u0430 \u0436\u044b\u0432\u0435 \u043f\u0430\u0441\u044f\u0440\u044d\u0434\u0437\u0456\u043d\u0435\u00bb \u0423. \u0413\u043d\u0456\u043b\u0430\u043c\u0435\u0434\u0430\u0432\u0430 \/ \u041b.\u0413. \u0414\u0443\u043a\u0442\u0430\u0432\u0430 \/\/ \u0416\u0443\u0440\u043d\u0430\u043b \u0411\u0435\u043b\u043e\u0440\u0443\u0441\u0441\u043a\u043e\u0433\u043e \u0433\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0430. \u0424\u0438\u043b\u043e\u043b\u043e\u0433\u0438\u044f. 2025. \u0421. 19\u201324.<\/li>
        19. \u0414\u0443\u043a\u0442\u043e\u0432\u0430, \u041b. \u0413. \u041e\u0441\u043e\u0431\u0435\u043d\u043d\u043e\u0441\u0442\u0438 \u0440\u0435\u0446\u0435\u043f\u0446\u0438\u0438 \u0440\u0430\u0441\u0442\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0433\u043e \u043a\u043e\u0434\u0430 \u0432 \u0440\u043e\u043c\u0430\u043d\u0430\u0445 \u0431\u0435\u043b\u043e\u0440\u0443\u0441\u0441\u043a\u043e\u0433\u043e \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044f \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440\u0430 \u0413\u043d\u0438\u043b\u043e\u043c\u0435\u0434\u043e\u0432\u0430 \u201c\u0412\u043e\u0439\u043d\u0430\u201d, \u201c\u0412\u0430\u0441\u0438\u043b\u044c\u043a\u0438 \u043d\u0430 \u0440\u0443\u0431\u0435\u0436\u0435\u201d \/ \u041b. \u0413. \u0414\u0443\u043a\u0442\u043e\u0432\u0430 \/\/ \u0424\u0438\u043b\u043e\u043b\u043e\u0433\u0438\u044f: \u043d\u0430\u0443\u0447\u043d\u044b\u0435 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u044f. 2025. \u2116 5. \u0421. 119\u2013126.<\/li>
        20. \u0414\u0443\u043a\u0442\u0430\u0432\u0430, \u041b.\u0413. \u041d\u0430\u0446\u044b\u044f\u043d\u0430\u043b\u044c\u043d\u044b \u0432\u043e\u0431\u0440\u0430\u0437 \u0441\u0432\u0435\u0442\u0443 \u045e \u0430\u043a\u0442\u0430\u043b\u043e\u0433\u0456\u0456 \u0423\u043b\u0430\u0434\u0437\u0456\u043c\u0456\u0440\u0430 \u0413\u043d\u0456\u043b\u0430\u043c\u0435\u0434\u0430\u0432\u0430: \u0430\u0441\u0430\u0431\u043b\u0456\u0432\u0430\u0441\u0446\u0456 \u043a\u043e\u0434\u0430\u0432\u0430\u0439 \u0441\u0456\u0441\u0442\u044d\u043c\u044b \/ \u041b.\u0413. \u0414\u0443\u043a\u0442\u0430\u0432\u0430 \/\/ \u041f\u043e\u043b\u044b\u043c\u044f. \u00a02026. \u00a0\u0421. 87\u201398.<\/li><\/ol>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

          \u0414\u0443\u043a\u0442\u043e\u0432\u0430 \u041b\u044e\u0431\u043e\u0432\u044c \u0413\u0435\u043e\u0440\u0433\u0438\u0435\u0432\u043d\u0430 \u0421\u0442\u0430\u0440\u0448\u0438\u0439 \u043d\u0430\u0443\u0447\u043d\u044b\u0439 \u0441\u043e\u0442\u0440\u0443\u0434\u043d\u0438\u043a \u043e\u0442\u0434\u0435\u043b\u0430 \u0431\u0435\u043b\u043e\u0440\u0443\u0441\u0441\u043a\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b XX \u0438 XXI \u0432\u0435\u043a\u043e\u0432 \u0418\u043d\u0441\u0442\u0438\u0442\u0443\u0442\u0430 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043e\u0432\u0435\u0434\u0435\u043d\u0438\u044f \u0438\u043c\u0435\u043d\u0438 \u042f\u043d\u043a\u0438 \u041a\u0443\u043f\u0430\u043b\u044b,\u043a\u0430\u043d\u0434\u0438\u0434\u0430\u0442 \u0444\u0438\u043b\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u043d\u0430\u0443\u043a,…<\/p>","protected":false},"author":1,"featured_media":0,"parent":29308,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-31227","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/belcentre.by\/en\/wp-json\/wp\/v2\/pages\/31227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/belcentre.by\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/belcentre.by\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/belcentre.by\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/belcentre.by\/en\/wp-json\/wp\/v2\/comments?post=31227"}],"version-history":[{"count":7,"href":"https:\/\/belcentre.by\/en\/wp-json\/wp\/v2\/pages\/31227\/revisions"}],"predecessor-version":[{"id":44261,"href":"https:\/\/belcentre.by\/en\/wp-json\/wp\/v2\/pages\/31227\/revisions\/44261"}],"up":[{"embeddable":true,"href":"https:\/\/belcentre.by\/en\/wp-json\/wp\/v2\/pages\/29308"}],"wp:attachment":[{"href":"https:\/\/belcentre.by\/en\/wp-json\/wp\/v2\/media?parent=31227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}